House On Mango Street Mamacita Character Analysis

Wednesday, December 8, 2021 8:44:57 AM

House On Mango Street Mamacita Character Analysis



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The House on Mango Street by Sandra Cisneros - Chapters 1–4

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They finally move into this beaten up house on Mango street, Her family is in love with it and act like it's their dream, however. The main character, Esperanza from The House on Mango Street by Sandra Cisneros, is an excellent example of that; Esperanza is an insecure young Latina girl who is shaped by her family as she grows up. In the novel, Esperanza has the perspective of life from the experience of living in poverty. Esperanza dreams of a perfect home with amazing flowers and enough rooms that everyone in her family would each have one.

However, she moves to the house on Mango Street, and reality is so different. In The House on Mango Street the women are either empowered or constricted. Rosa Vargas was constricted because she had lots of children and had a husband who left her for no reason. Rafaela was limited because she was so beautiful he thought she would run away. Sally was restrained because she could not express herself without getting beat by her father and when she gets married to escape she is still held back. Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves.

She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity. This story takes place in the center of an over populated Latino neighborhood in Chicago, a city where many of the poor areas are ethnically segregated. This novella uses two main symbols shoes and trees. Later in the literary analysis I will explain what these mean to the main characters. The House on Mango Street tells the life. The House on Mango Street has received many praises amongst critics for its well-defined. The House on Mango Street Analysis When people face obstacles they forget that those same experiences and tragedies often shape an individual's outlook on life and inspire personal growth from within.

The novel, The House on Mango Street reminds its readers that even in the worst of times there are still lessons to be learned as seen through the eyes of a girl named Esperanza. The coming of age story deals with dark underlying struggles blanketed in the innocent viewpoint of a child forced. As Esperanza grows, she is faced with new hardships and expectations associated with being a woman, and becomes ashamed of her life.

Esperanza learns to accept her life because she is exposed to different perspectives of women who feel trapped on Mango Street. The fact that Sire, Lois, and Sally are all sexually active makes them seem more physically mature than Esperanza, and heightens her feelings of awkwardness. Earl does come off as being a little creepy, maybe, for bringing home women that we understand to be prostitutes, but it's Esperanza's confusion about the matter that interests us, and reveals her to be young and innocent in matters of sex. The few times we see food in the book, we're clued in on an aspect of somebody's character.

Ruthie's fondness for candy makes her seem childlike, for example, while Papa's consumption of "hamandeggs" for three months reveals his status as an immigrant who doesn't know English. The rice sandwich that Esperanza eats on the one day that she's permitted to stay at school for lunch is a poor girl's lunch — her Mama packs it because they don't have any lunch meat. It tells us that Esperanza's family doesn't have much money, and illustrates Esperanza's feelings of humiliation in front of her schoolmates.

Rafaela drinks papaya and coconut juice because they're sweet — the juice, and the methods she has to employ to get it, illustrate her confinement and her desire for consolation. Kind of like how a Starbucks Frappuccino can make you feel better about being stuck studying in the library. A lot of the descriptions of physical appearances in this book have to do with feminine beauty. We know that Aunt Lupe was once beautiful, with swimmer's legs, but that now her disease has rendered her withered and weak. Marin has green eyes like apples that attract the neighborhood boys. And we know that Sally is gorgeous, with dark hair and eyes like Egypt. In contrast, Esperanza describes herself as "an ugly daughter" Why this fixation on who's pretty and who's not?

Well, Esperanza sees beauty as a source of power for women. Nenny's pretty eyes give her the ability to pick and choose — "it's easy to talk that way if you are pretty," Esperanza notes Women without beauty have to find some other way of exercising power. Of course, beauty doesn't last, as we see in Aunt Lupe's case. Maybe physical appearance isn't everything, after all. Topics Character Roles Protagonist, Antagonist Tools of Characterization. Tools of Characterization Character Analysis Location inside vs. Sex and Love Because this is Esperanza's coming-of-age story, the depictions of sex and love that we see are influenced by Esperanza's growing interest in the birds and the bees.

Food The few times we see food in the book, we're clued in on an aspect of somebody's character. Physical Appearances A lot of the descriptions of physical appearances in this book have to do with feminine beauty. Logging out…. Logging out You've been inactive for a while, logging you out in a few seconds

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